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Contains 3 Component(s), Includes Credits Recorded On: 02/19/2026
Join AATA for a myth-busting exploration of the Expressive Therapies Continuum, offering clearer guidance for practitioners, educators, and researchers. This version is not CE Eligible.
Description:
The Expressive Therapies Continuum is widespread in its popularity, but myths about it have flourished in the absence of a formal training program that would connect practitioners, educators, and researchers to the ideas and intentions of the framework’s co-creators, Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn. This presentation by two of their students will help attendees re-conceptualize the ETC, offering them multiple opportunities to expand beyond limiting and oversimplified beliefs about the model.
Myth categories that will be explored and dispelled include (1) misunderstandings about the nature and purpose of the ETC framework, (2) confusion about how treatment occurs when using the ETC framework as a guide, and (3) errors concerning the relationship between art materials and the ETC framework. Special attention will be paid to ensuring that attendees develop a uniform understanding of the ETC; consistency strengthens communication and clinical utility within the profession. Attendees will leave the presentation inspired to implement changes to their view of the Expressive Therapies Continuum, aligning it with the framework’s potential as envisioned by the art therapy pioneers who developed it.
Learning Objectives:Participants will be able to:
- Describe three (3) core aspects of the nature and purpose of the ETC framework. Understanding these core aspects will provide participants with opportunities to refine
- Identify four (4) characteristics that define how treatment occurs when using the ETC framework as a guide. Understanding these characteristics will provide participants with opportunities to expand their grasp of the framework’s application within the client-therapist relationship.
- Name three (3) truths about the relationship between art materials and the ETC framework. Understanding these truths will provide participants with opportunities to improve their conceptualization of the framework as a synthesis of multidimensional inputs that influence client output and outcomes.
Additional Information:
- This version is not CE Eligible.
$i++ ?>Megan VanMeter
MA, LPC, LMHC, LPC-AT/S, ATR-BC
Megan VanMeter is a board-certified art therapist who is licensed through the counseling boards in Arizona, Indiana, and Texas. She currently operates a virtual private practice, but prior to this she provided clinical art therapy services in behavioral health, correctional, educational, medical, and social services settings, offering workshops for therapists on the side. Megan earned her master’s degree in art therapy at the University of Louisville, where she studied under Expressive Therapies Continuum co-creators Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn. From these two visionary art therapy pioneers, she learned how to develop responsive, in-the-moment interventions that serve to connect with and support clients as they organically move toward integration. A teacher at heart, Megan has been helping art therapists learn facets of the Expressive Therapies Continuum for over 15 years. Megan offers an ETC newsletter to keep professionals abreast of learning opportunities, and she maintains an ETC bibliography that features the framework’s co-creators and their educational descendants.
This free resource supports exploration of the ETC within the context of a training lineage and is available at https://www.meganvanmeter.com/for-expressive-therapists.
Megan hopes to support other art therapists in understanding the ETC through training methods similar to the ones used by Lusebrink and (Kagin) Graves-Alcorn. Aside from her passion for helping others learn, she has served the art therapy community through board and committee work via the American Art Therapy Association, AATA affiliate chapters, and the Art Therapy Credentials Board.$i++ ?>Lisa D. Hinz
PhD, ATR-BC
Dr. Lisa D. Hinz is a licensed clinical psychologist and board-certified art therapist with more than two decades of experience advancing the theory and practice of art therapy. She is an associate professor and director of the Art Therapy Psychology Doctoral Program at Dominican University of California in San Rafael. Dr. Hinz began her career in clinical psychology but discovered her passion for art therapy while supervising a master’s student at the University of Louisville Counseling Center. This experience led her to earn a post-graduate certificate in art therapy in 1992, where she trained under Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn, co-creators of the Expressive Therapies Continuum (ETC)—a foundational framework for understanding the therapeutic power of art. A leading voice in the field, Dr. Hinz has authored numerous professional publications and three influential books, including Expressive Therapies Continuum: A Framework for Using Art in Therapy, now in its second edition (2020). Her scholarship reflects a deep interest in materials and methods in art therapy, and she has been teaching and writing about ETC theory for over 23 years. In addition to her academic leadership, Dr. Hinz maintains a private practice in St. Helena, California, specializing in the treatment of eating issues, substance abuse, and lifestyle medicine.
Statement of Confidentiality:
Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.
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Contains 4 Component(s), Includes Credits Recorded On: 02/19/2026
Join AATA for a myth-busting exploration of the Expressive Therapies Continuum, offering clearer guidance for practitioners, educators, and researchers. Eligible for 2.0 CE Credit hours.
Description:
The Expressive Therapies Continuum is widespread in its popularity, but myths about it have flourished in the absence of a formal training program that would connect practitioners, educators, and researchers to the ideas and intentions of the framework’s co-creators, Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn. This presentation by two of their students will help attendees re-conceptualize the ETC, offering them multiple opportunities to expand beyond limiting and oversimplified beliefs about the model.
Myth categories that will be explored and dispelled include (1) misunderstandings about the nature and purpose of the ETC framework, (2) confusion about how treatment occurs when using the ETC framework as a guide, and (3) errors concerning the relationship between art materials and the ETC framework. Special attention will be paid to ensuring that attendees develop a uniform understanding of the ETC; consistency strengthens communication and clinical utility within the profession. Attendees will leave the presentation inspired to implement changes to their view of the Expressive Therapies Continuum, aligning it with the framework’s potential as envisioned by the art therapy pioneers who developed it.
Learning Objectives:Participants will be able to:
- Describe three (3) core aspects of the nature and purpose of the ETC framework. Understanding these core aspects will provide participants with opportunities to refine
- Identify four (4) characteristics that define how treatment occurs when using the ETC framework as a guide. Understanding these characteristics will provide participants with opportunities to expand their grasp of the framework’s application within the client-therapist relationship.
- Name three (3) truths about the relationship between art materials and the ETC framework. Understanding these truths will provide participants with opportunities to improve their conceptualization of the framework as a synthesis of multidimensional inputs that influence client output and outcomes.
Additional Information:
- This session is worth 2 CECs
- This session is ATCB, NBCC, and LCAT eligible.
$i++ ?>Megan VanMeter
MA, LPC, LMHC, LPC-AT/S, ATR-BC
Megan VanMeter is a board-certified art therapist who is licensed through the counseling boards in Arizona, Indiana, and Texas. She currently operates a virtual private practice, but prior to this she provided clinical art therapy services in behavioral health, correctional, educational, medical, and social services settings, offering workshops for therapists on the side. Megan earned her master’s degree in art therapy at the University of Louisville, where she studied under Expressive Therapies Continuum co-creators Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn. From these two visionary art therapy pioneers, she learned how to develop responsive, in-the-moment interventions that serve to connect with and support clients as they organically move toward integration. A teacher at heart, Megan has been helping art therapists learn facets of the Expressive Therapies Continuum for over 15 years. Megan offers an ETC newsletter to keep professionals abreast of learning opportunities, and she maintains an ETC bibliography that features the framework’s co-creators and their educational descendants.
This free resource supports exploration of the ETC within the context of a training lineage and is available at https://www.meganvanmeter.com/for-expressive-therapists.
Megan hopes to support other art therapists in understanding the ETC through training methods similar to the ones used by Lusebrink and (Kagin) Graves-Alcorn. Aside from her passion for helping others learn, she has served the art therapy community through board and committee work via the American Art Therapy Association, AATA affiliate chapters, and the Art Therapy Credentials Board.$i++ ?>Lisa D. Hinz
PhD, ATR-BC
Dr. Lisa D. Hinz is a licensed clinical psychologist and board-certified art therapist with more than two decades of experience advancing the theory and practice of art therapy. She is an associate professor and director of the Art Therapy Psychology Doctoral Program at Dominican University of California in San Rafael. Dr. Hinz began her career in clinical psychology but discovered her passion for art therapy while supervising a master’s student at the University of Louisville Counseling Center. This experience led her to earn a post-graduate certificate in art therapy in 1992, where she trained under Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn, co-creators of the Expressive Therapies Continuum (ETC)—a foundational framework for understanding the therapeutic power of art. A leading voice in the field, Dr. Hinz has authored numerous professional publications and three influential books, including Expressive Therapies Continuum: A Framework for Using Art in Therapy, now in its second edition (2020). Her scholarship reflects a deep interest in materials and methods in art therapy, and she has been teaching and writing about ETC theory for over 23 years. In addition to her academic leadership, Dr. Hinz maintains a private practice in St. Helena, California, specializing in the treatment of eating issues, substance abuse, and lifestyle medicine.
Statement of Confidentiality:
Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.
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- Non-member - $82
- Member - $52
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Contains 3 Component(s) Recorded On: 01/13/2026
Join Elizabeth Hlavek for a moving exploration of Holocaust art, combining historical insight, lived narratives, and a hands-on response art experience. The Student Version is not CE eligible.
Description:
Approximately 30,000 works of art have been documented since the liberation of Nazi camps and ghettos in 1945 (Amishai-Maisels, 1993). Made in captivity, these pieces of art exemplify the power of creativity and the strength of spirit, and demonstrate the human capacity for resiliency and creativity in the face of suffering. This body of work highlights the innately human need for meaning and creativity, and can inform contemporary art therapy practice. Understanding Holocaust artists’ drive to create art may help art therapists to better address the fundamental concerns of existence that clients face. After all, in drawing, painting, sculpting, and collaging, Holocaust artists gave a form to unimaginable experiences.
This session will begin with an exploration of the art of the Holocaust as a phenomenon. The speaker will share images of the artwork and discuss how, but more importantly, why, this art was made. The speaker will share vignettes from her phenomenological interviews with surviving artists and curators of this work. Participants will be invited to make response art using both traditional and found materials..
Learning Objectives:Participants will be able to:
- Articulate 3 motivators for making art in captivity.
- Define the difference between finding meaning and meaning-making
- Identify 2 existential needs that were satisfied in clandestine art making
Additional Information:
- The Student Version is not CE eligible.
$i++ ?>Elizabeth Hlavek
DAT, LCPAT, ATR-BC
Hlavek Art Therapy
Dr. Elizabeth Hlavek, DAT, LCPAT, ATR-BC is an art therapy clinician, scholar, and advocate. In 2012 Elizabeth spearheaded efforts to develop a clinical art therapy license in Maryland, and subsequently sat on the MD Board of Professional Counselors and Therapists, and later the American Art Therapy Association's Board of Directors. She continues to hold leadership roles within AATA. Elizabeth's doctoral research examined artwork made by victims in Nazi captivity which she grounded to existential theory. Her book, A Meaning-Based Approach to Art Therapy: From the Holocaust to Contemporary Practices, details her phenomenological study in which she interviewed surviving artists about their experiences creating artwork. She posited that art-making allowed victims to find meaning in their experience, a concept that informs her clinical work. Elizabeth frequently lectures and teaches about her research. She also adjuncts at the International Institute for Existential Humanistic Psychology and St Mary of the Woods college.
Statement of Confidentiality:
Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.
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Contains 4 Component(s), Includes Credits Recorded On: 01/13/2026
Join Elizabeth Hlavek for a moving exploration of Holocaust art, combining historical insight, lived narratives, and a hands-on response art experience. Eligible for 2.0 CEU hours.
Description:
Approximately 30,000 works of art have been documented since the liberation of Nazi camps and ghettos in 1945 (Amishai-Maisels, 1993). Made in captivity, these pieces of art exemplify the power of creativity and the strength of spirit, and demonstrate the human capacity for resiliency and creativity in the face of suffering. This body of work highlights the innately human need for meaning and creativity, and can inform contemporary art therapy practice. Understanding Holocaust artists’ drive to create art may help art therapists to better address the fundamental concerns of existence that clients face. After all, in drawing, painting, sculpting, and collaging, Holocaust artists gave a form to unimaginable experiences.
This session will begin with an exploration of the art of the Holocaust as a phenomenon. The speaker will share images of the artwork and discuss how, but more importantly, why, this art was made. The speaker will share vignettes from her phenomenological interviews with surviving artists and curators of this work. Participants will be invited to make response art using both traditional and found materials..
Learning Objectives:Participants will be able to:
- Articulate 3 motivators for making art in captivity.
- Define the difference between finding meaning and meaning-making
- Identify 2 existential needs that were satisfied in clandestine art making
Additional Information:
- This session is worth 2 CEUs
- This session is ATCB & NBCC Eligible
$i++ ?>Elizabeth Hlavek
DAT, LCPAT, ATR-BC
Hlavek Art Therapy
Dr. Elizabeth Hlavek, DAT, LCPAT, ATR-BC is an art therapy clinician, scholar, and advocate. In 2012 Elizabeth spearheaded efforts to develop a clinical art therapy license in Maryland, and subsequently sat on the MD Board of Professional Counselors and Therapists, and later the American Art Therapy Association's Board of Directors. She continues to hold leadership roles within AATA. Elizabeth's doctoral research examined artwork made by victims in Nazi captivity which she grounded to existential theory. Her book, A Meaning-Based Approach to Art Therapy: From the Holocaust to Contemporary Practices, details her phenomenological study in which she interviewed surviving artists about their experiences creating artwork. She posited that art-making allowed victims to find meaning in their experience, a concept that informs her clinical work. Elizabeth frequently lectures and teaches about her research. She also adjuncts at the International Institute for Existential Humanistic Psychology and St Mary of the Woods college.
Statement of Confidentiality:
Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.
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- Non-member - $82
- Member - $52
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Contains 4 Component(s), Includes Credits Recorded On: 11/18/2025
Join Kerry Kruk-Borisov for an Examination of Neurobiological & Physiological Research on Specific Art Materials and Processes Relevant to Art Therapy. Eligible for 2.0 CEU hours.
Description:
This session will focus on findings from a collection of neurobiological and physiological research on distinct art materials and how those findings illuminate theoretical perspectives important to the practice of art therapy. A compendium of empirical research findings is presented along with the theoretical underpinnings that guide such neurobiological and physiological research. This work highlights the summaries and inspiration from the Conclusion chapter in the 2nd Edition of Art Therapy and the Neuroscience of Trauma.
Learning Objectives:Participants will be able to:
- Understand at least 3 unique distinctions between different art materials and processes and connect this information to the Expressive Therapies Continuum theory (ETC).
- Differentiate between theoretical understanding and building knowledge through empirical research findings.
- Apply findings from research based on scientific inquiry to enhance further research and research-to-practice initiatives (e.g., development of evidence-based rationale for the use of distinct art materials) in art therapy approaches.
Additional Information:
- This session is worth 2 CEUs
- This session is ATCB & NBCC Eligible
$i++ ?>Kerry Kruk-Borisov
ATR-BC, LPC, MS
With 20 years of experience working with families, adolescents, adults, and children, Kerry intends to provide a well-rounded and holistic therapy experience for her clients. She has prior experience in intensive in-home family-centered treatment, group work in substance abuse and sexual abuse trauma therapy, and inpatient crisis stabilization and detoxification treatment for adults. In her experience providing art therapy to children, adolescents, adults, and families, she has witnessed the power and effectiveness of strengths-based, solution-focused, and experiential art therapy to foster awareness, recovery, growth, and healing.
Kerry has worked with a wide range of individuals experiencing a range of life conflicts to include substance abuse and recovery, depression, anxiety disorders, self-esteem, life phase conflict, peer and family conflict, sexual abuse, and PTSD. She is passionate about learning about the brain and how psychotherapeutic approaches, particularly art therapy and EMDR, can effectively change perception and neurological function. Kerry describes her treatment approach as a coordinated synergy of person-centered art therapy, humor, positive psychology, narrative therapy, motivational enhancement, and family systems in order to address immediate concerns and to promote growth and progress. She believes in fostering a creative, therapeutic space in which self-discovery and growth are possible.
She is an avid presenter and public speaker and has presented her research as well as other topics on the practice of art therapy locally, nationally, and internationally. She also has experience as a Human Rights Coordinator, providing advocacy for individuals receiving community behavioral and developmental services. Kerry is also an Adjunct Faculty member in the Graduate Counseling & Art Therapy program at Macon & Joan Brock Virginia Health Sciences University at Old Dominion University (formerly known as Eastern Virginia Medical School).-
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- Non-member - $82
- Member - $52
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Contains 1 Component(s) Recorded On: 11/07/2025
Join AATA's Undergraduate Committee for a discussion about the Committee's newly created guidelines and next steps.
Join us for a focused discussion on the newly AATA-approved undergraduate guidelines. This meeting will provide insight into their development, purpose, and applications to undergraduate pre-art therapy education.
To learn more and download a copy of the Guidelines, please visit: https://arttherapy.org/blog-aa...
Learning ObjectivesParticipants will be able to:
1) Identify the purpose of the guidelines
2) Learn about the main content areas
3) Identify student learning outcomes relevant to undergraduate pre-art therapy education
This is NOT a CE-eligible session.$i++ ?>Heather Denning
LPAT, LSW, ATR-BC, ATCS
Heather Denning is a licensed professional art therapist in Ohio and a board-certified art therapist. She is the director of the undergraduate art therapy program and Chair of the Art, Design, and Communication department at Mercyhurst University in Erie, Pennsylvania. Heather is an adjunct faculty member at Ursuline College and Southwestern College. She serves as a member of the AATA Undergraduate Education Subcommittee and Secretary of the Buckeye Art Therapy Association. Heather’s passions in art therapy are group work, service-learning, and art therapy education.$i++ ?>Jennifer Schwartz
MAAT, LPAT, ATR-BC, ATCS
Jen Schwartz is a licenced professional art therapist in Ohio and board certified art therapy supervisor. She is the Program Director of Art Therapy and Service Learning Coordinator at Ursuline College in Cleveland, OH. She was recently elevated to Honorary Lifetime Member status within the Buckeye Art Therapy Association (BATA), where she currently serves as External Relations Chair. She is past Chair of AATA’s Undergraduate Education Subcommittee, and served on AATA’s first Undergraduate Education Task Force.-
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Contains 20 Product(s)
AATA2025 Virtual Conference, which took place on Oct. 25 – 26! This event offers attendees all-new, never-before-seen sessions.
AATA2025 Virtual Conference
AATA held our AATA2025 Virtual Art Therapy Conference on Oct. 25 - 26, 2025. This year’s theme, Ascending To New Heights, celebrated the growth of the art therapy profession and the significant achievements of art therapists.
This Virtual Conference offered attendees all-new content during 20 live sessions, which were recorded. These recordings are now available to purchase as a package or as individual sessions. To learn more about the sessions, go to the “content" tab above, or visit this webpage.
If you registered for the AATA2025 Virtual Conference, these recordings are available to you at no cost.
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- Non-member - $350
- Member - $270
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Contains 4 Component(s), Includes Credits Recorded On: 10/26/2025
AATA2025 Virtual Conference - Sunday, October 26th (Day 2)
Description:
A brief overview of IFS illustrated by case material will demonstrate how the
IFS-trained art therapist presenter integrates art into the IFS process for
trauma treatment, anchored by Jungian Active Imagination. Participants untrained
in IFS may better utilize Active Imagination into art-making. IFS-trained
participants will gain creative tools.Learning Objectives:
- Participants will be able to define 3 or more basic principles of the Internal Family Systems (IFS) model of
treatment.
- Participants will be able to clarify 3 or more ways that IFS and Active Imagination overlap to enhance the
art therapy process.
- Participants will be able to describe 4 art directives that integrate with the IFS model of the 6 F’s.Session is worth 1 CE Credit
$i++ ?>Heather McLaughlin
MA, ATR-BC, RMFT-S
Heather McLaughlin, MA, ATR-BC, RMFT-S, is an art therapist with over 20 years’ experience specializing in relational and trauma work. She is also a registered couple and family therapist, licensed psychotherapist, and clinical supervisor. An assistant professor and program coordinator for Concordia University’s Art Therapy program, she is the founder and Director of the Concordia Arts in Health Centre which is a service-first, campus-based creative arts therapies clinic offering free, equitable, and accessible therapy. Her work focuses on creative and systemic approaches to community care and climate action, with an emphasis on supporting and connecting community initiatives, mobilizing resources, and engaging in research that strengthens these efforts.-
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- Non-member - $45
- Member - $25
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Contains 4 Component(s), Includes Credits Recorded On: 10/26/2025
AATA2025 Virtual Conference - Sunday, October 26th (Day 2)
Description:
This presentation proposes a framework for creative arts therapists (CATs) to
engage in intentional climate action. The framework supports reflection and
adaptation within diverse modalities and theoretical approaches, helping CATs
align their practice with climate sustainability through client work,
educational roles, and contributions to professional and community contexts.Learning Objectives:
- Participants will be able to identify at least three ways creative arts therapies can contribute to climate
action and sustainability
- Participants will be able to analyze a climate action framework by listing at least two ways it can be
adapted to the practitioners' theoretical approach and areas of practice
- Participants will be able to develop an action plan with at least two strategies to align professional
practices with climate sustainability values in client work, education, or
community engagement.Session is worth 1 CE Credit
$i++ ?>Peggy Kolodny
Licensed Art Therapist
Peggy Kolodny, MA, ATR-BC, LCPAT, earned her master’s in art therapy from GWU in 1982. Specializing in trauma-focused multimodal art therapy across the lifespan, she is trained in IFS and in EMDR. She is adjunct faculty for GWU and FSU Art Therapy Graduate Programs trauma tracks and is workshop faculty for the Ferentz Institute and Chesapeake Beach Professional Seminars. Currently Peggy is Co-Chair for the EMDR Special Interest Group for the International Society on the Study of Trauma and Dissociation (ISSTD) and recent past Chair of the Creative Art Therapists Special Interest Group. Past positions include Vice-chair of the Maryland Chapter of American Professional Society on Abuse of Children; Chairperson of Central Maryland Sexual Abuse Treatment Task Force; and President of Maryland Art Therapy Association. Past faculties include University of Maryland School of Social Work, Maryland Institute College of Art, and Goucher College.
Peggy recently published several chapters on neurosequential art therapy in Art Therapy in the Treatment of Addictions and Trauma (Quinn, 2021), co-authored (Mazero) a chapter on “The Interweave of IFS, EMDR and Art Therapy” in EMDR and The Creative Arts Therapies (Davis et al, 2023). She has 3 more chapters in press for 2025-2026 including “Active Imagination: Jungian Underpinnings of IFS, EMDR and Art Therapy” in IFS-informed EMDR (Polidi, Dec. 2025); Dissociation & DID in Art Therapy” in Wiley Handbook of Art Therapy (Gussak & Rosal, 2025); and “Create, Destroy, Transform” in From Mourning to Meaning: The Expressive Arts in Grief Therapy (Thompson & Neimeyer, in press).-
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- Non-member - $45
- Member - $25
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Contains 4 Component(s), Includes Credits Recorded On: 10/26/2025
AATA2025 Virtual Conference - Sunday, October 26th (Day 2)
Description:
Art exhibit and poetry reading; Hear the cries of hidden, voiceless parts
of a highly functional trauma survivor, sharing her story to help herself and
others feel seen. Witness works integrating the conscious and unconscious
through, art, poetry and somatization, a clients life's work of collecting
shattered parts.Learning Objectives:
- Participants will be able to identify 2 methods in which art exhibits can be ceated for a vulnerable client.
- Participants will be able to identify 3 ways in which an art therapist can assist the client in expressing trauma that has been hidden in a safe supportive manner.
- Participants will understand 2-6 ethical dilemas in understanding what is best for the client and self-serving for the therapist.Session is worth 1.5 CE Credit
$i++ ?>Lilla Ohrstrom
MA, ATR-BC
Lilla Ohrstrom, MA, ATR-BC has had her research and artwork have been published in the Wiley Blackwell Handbook of Art Therapy, Oxford Handbook of Qualitative Research, International Journal of Education through Art, International Journal of Education and the Arts, Visual Inquiry: Learning and Teaching Art; Art Education, Liminalities: A Performance Studies Journal and Music Therapy Perspectives. She is also a major contributor in the volume, Art for Children Experiencing Psychological Trauma: A Guide for Art Educators and School-Based Professionals. She has published two books Therapeutic Approaches in Art Education (2020) and Restorative Practices in Education through the Arts (2025).$i++ ?>Kathleen Marmet
MA
Kathy Marmet is trained as a lawyer and an educator but has been impaired in her ability to find vocational fulfillment until her recent blossoming as a poet and artist. Healing has been a lifetime quest and a full time occupation for more than eleven years now. In the most recent five years, she has received effective help from a team of highly qualified professionals using neurofeedback, Somatic Experiencing, bodywork, art therapy and psychedelic assisted therapy. She has participated in at least seven psychodrama workshops and has consistently found them helpful. Marmet was born to parents who were ill-equipped to meet the needs of children. The first of her mother’s eleven full term pregnancies, her being has been marked by the effects of chronic childhood traumatization. Wounds of maternal depression during her infancy are the deepest. Self-help has been Kathy’s life-long practice. Self-expression through poetry, art and song began early.
At this point, Marmet has survived for the average U.S. span of life. Ten years ago she had the good fortune to connect with the growing body of innovative scientific and clinical work which increasingly illuminates possible paths to healing. This led to her receiving help from professionals skilled in several modalities which have proven effective in helping her nervous system learn to be more fully embodied and alive. Marmet’s art and writings give voice to her struggle to become her self. She published her poetry collection, Freeing the Voice of a Less Than Fully-Mothered Child: Poetic Artifacts of a Healing Journey in 20205.-
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- Non-member - $60
- Member - $35
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