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  • Contains 3 Component(s), Includes Credits Recorded On: 04/14/2026

    The 1st session of our three-part 2026 Supervision Series! This version is not CE Eligible.

    Presenters:

    Diana Wallace (Speaker)
    Kathryn Snyder (Moderator) 

    Description:

    This session explores the intersections of power, relational competencies, and creativity within Relational Cultural Supervision (RCS) in art therapy practice. Participants will examine how ecological and multisystemic contexts, including culture, identity, power, and privilege, influence supervisee development and supervisory relationships. The presentation introduces core RCS practices that support relational, multicultural, and social justice competencies in supervision. Through discussion and experiential engagement with response art, participants will explore art-based supervisory approaches that support reflective practice, case conceptualization, and awareness of stress, transference, and countertransference. The session also clarifies distinctions between supervisory teaching and consultation roles to strengthen culturally responsive and relationally attuned supervision practices.

    Learning Objectives:

    Participants will be able to:

    • 1. Identify at least three core practices of Relational Cultural Supervision (RCS) that support supervisee relational and developmental growth.
    • 2. Describe how ecological and multisystemic factors influence supervisee development, including the roles of culture, power, and social context.
    • 3. Apply response art as a supervision strategy to support reflective practice, including case conceptualization and exploration of stress, transference, and countertransference.
    • 4. Differentiate between supervisory teaching and consultation roles within culturally responsive supervision.

    Additional Information:

    • Focus Area: Supervision 
    • This version is not CE Eligible.


      Diana Wallace

      LPCC-S, LPAT, ATR-BC


      Diana Wallace, LPCC-S, LPAT, ATR-BC, is a full-time faculty instructor and clinical supervisor in the graduate program for Professional Counseling and Art Therapy at Ursuline College and is currently a doctoral candidate in Counselor Education and Supervision (CES) at Walden University. Diana has over 16 years of clinical experience and 8 years of clinical supervisory experience providing art therapy and individual, group, and family psychotherapy, emphasizing the competent treatment of diverse, marginalized populations. Diana’s primary clinical practitioner focus has been within community mental health settings, treating complex trauma. RCT applications, projective assessments, and multicultural and ecologically focused art-based supervision are her main areas of interest within teaching, supervision, research, and advocacy.

      Kathryn Snyder

      MA, ATR-BC, LPC, PhD


      Kathryn Snyder, MA, ATR-BC, LPC, PhD, is a board-certified art therapist, licensed professional counselor, and founder of Parent to Child Therapy Associates and Spark School-Based Art Therapy in Philadelphia. With over 20 years of clinical experience, she specializes in integrative mental health care for children, young adults, and families, emphasizing early intervention for developmental, emotional, and learning challenges. Kathryn is also known for her expertise in postpartum support and group programming focused on social skills and emotional regulation. Through Spark, she has expanded access to art therapy in public and charter schools, particularly for underserved and immigrant populations. A PhD candidate at Drexel University, Kathryn’s research explores the impact of art therapy on emergent literacy in preschoolers and broader applications in pediatric care and museum-based therapy. She also teaches and presents her work nationally.

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 4 Component(s), Includes Credits Recorded On: 04/14/2026

      The 1st session of our three-part 2026 Supervision Series! Eligible for 2.0 CE Credit hours. (ATCB, NBCC & LCAT eligible)

      Presenters:

      Diana Wallace (Speaker)
      Kathryn Snyder (Moderator) 

      Description:

      This session explores the intersections of power, relational competencies, and creativity within Relational Cultural Supervision (RCS) in art therapy practice. Participants will examine how ecological and multisystemic contexts, including culture, identity, power, and privilege, influence supervisee development and supervisory relationships. The presentation introduces core RCS practices that support relational, multicultural, and social justice competencies in supervision. Through discussion and experiential engagement with response art, participants will explore art-based supervisory approaches that support reflective practice, case conceptualization, and awareness of stress, transference, and countertransference. The session also clarifies distinctions between supervisory teaching and consultation roles to strengthen culturally responsive and relationally attuned supervision practices.

      Learning Objectives:

      Participants will be able to:

      • 1. Identify at least three core practices of Relational Cultural Supervision (RCS) that support supervisee relational and developmental growth.
      • 2. Describe how ecological and multisystemic factors influence supervisee development, including the roles of culture, power, and social context.
      • 3. Apply response art as a supervision strategy to support reflective practice, including case conceptualization and exploration of stress, transference, and countertransference.
      • 4. Differentiate between supervisory teaching and consultation roles within culturally responsive supervision.

      Additional Information:

      • Focus Area: Supervision 
      • This session is worth 2 CECs
      • This session is ATCB, NBCC, and LCAT eligible.

      Diana Wallace

      LPCC-S, LPAT, ATR-BC


      Diana Wallace, LPCC-S, LPAT, ATR-BC, is a full-time faculty instructor and clinical supervisor in the graduate program for Professional Counseling and Art Therapy at Ursuline College and is currently a doctoral candidate in Counselor Education and Supervision (CES) at Walden University. Diana has over 16 years of clinical experience and 8 years of clinical supervisory experience providing art therapy and individual, group, and family psychotherapy, emphasizing the competent treatment of diverse, marginalized populations. Diana’s primary clinical practitioner focus has been within community mental health settings, treating complex trauma. RCT applications, projective assessments, and multicultural and ecologically focused art-based supervision are her main areas of interest within teaching, supervision, research, and advocacy.

      Kathryn Snyder

      MA, ATR-BC, LPC, PhD


      Kathryn Snyder, MA, ATR-BC, LPC, PhD, is a board-certified art therapist, licensed professional counselor, and founder of Parent to Child Therapy Associates and Spark School-Based Art Therapy in Philadelphia. With over 20 years of clinical experience, she specializes in integrative mental health care for children, young adults, and families, emphasizing early intervention for developmental, emotional, and learning challenges. Kathryn is also known for her expertise in postpartum support and group programming focused on social skills and emotional regulation. Through Spark, she has expanded access to art therapy in public and charter schools, particularly for underserved and immigrant populations. A PhD candidate at Drexel University, Kathryn’s research explores the impact of art therapy on emergent literacy in preschoolers and broader applications in pediatric care and museum-based therapy. She also teaches and presents her work nationally.

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 3 Component(s), Includes Credits Recorded On: 04/07/2026

      Join AATA for a foundational session exploring the realities of sexual violence, its root causes, and the critical role of bystander intervention in prevention and survivor support. This version is not CE Eligible.

      Description:

      This foundational session breaks down the definition of sexual violence and its various forms, including harassment and stalking. Participants will explore the root causes of sexual violence, challenge common misconceptions and myths, and have a clear understanding of the prevalence of sexual violence in the United States. The session recognizes bystander intervention as a critical strategy for disrupting sexual violence. Participants will learn the "5 D's" of intervention (Direct, Distract, Delegate, Delay, Document) and apply these skills to realistic scenarios. In addition, participants will leave with an understanding of the resources available to survivors in the community.

      Learning Objectives:

      Participants will be able to:

      1) Understand the types, causes, and prevalence of sexual violence.
      2) Recognize and respond to signs of sexual violence
      3) Know what resources are available and how to access them

      Additional Information:

      • Focus Area: Trauma 
      • This version is not CE Eligible.

      Karin Kelley

      MA

      Doorways


      Karin Kelley, MA, brings over 20 years of leadership experience in the non-profit and public education sectors in California, Oregon, and the Washington DC metro, focused on supporting young people and families to thrive. She is a passionate leader with a deep commitment to social justice and ensuring all children and adults – regardless of race, ethnicity, socio-economic status, disability, or personal circumstances – have the opportunity to reach their full potential. For the past 3 years, Karin has served as the Chief Program Officer for Doorways, an Arlington non-profit providing services to survivors of intimate partner and sexual violence. Prior to moving to the East Coast, Karin was the Executive Director of Teen Success, Inc., a California-based non-profit organization supporting the success of teen mothers and their children across the state. Karin has a BA in Psychology from Santa Clara University and a MA in Counseling Psychology from John F. Kennedy University. Karin is the mother of three amazing children and spends most of her non-working hours at soccer games and swim meets, cheering them on!

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 4 Component(s), Includes Credits Recorded On: 04/07/2026

      Join AATA for a foundational session exploring the realities of sexual violence, its root causes, and the critical role of bystander intervention in prevention and survivor support. Eligible for 1 CE Credit (ATCB eligible)

      Description:

      This foundational session breaks down the definition of sexual violence and its various forms, including harassment and stalking. Participants will explore the root causes of sexual violence, challenge common misconceptions and myths, and have a clear understanding of the prevalence of sexual violence in the United States. The session recognizes bystander intervention as a critical strategy for disrupting sexual violence. Participants will learn the "5 D's" of intervention (Direct, Distract, Delegate, Delay, Document) and apply these skills to realistic scenarios. In addition, participants will leave with an understanding of the resources available to survivors in the community.

      Learning Objectives:

      Participants will be able to:

      1) Understand the types, causes, and prevalence of sexual violence.
      2) Recognize and respond to signs of sexual violence
      3) Know what resources are available and how to access them

      Additional Information:

      • Focus Area: Trauma
      • This session is worth 1 CE Credit 
      • This session is ATCB eligible.

      Karin Kelley

      MA

      Doorways


      Karin Kelley, MA, brings over 20 years of leadership experience in the non-profit and public education sectors in California, Oregon, and the Washington DC metro, focused on supporting young people and families to thrive. She is a passionate leader with a deep commitment to social justice and ensuring all children and adults – regardless of race, ethnicity, socio-economic status, disability, or personal circumstances – have the opportunity to reach their full potential. For the past 3 years, Karin has served as the Chief Program Officer for Doorways, an Arlington non-profit providing services to survivors of intimate partner and sexual violence. Prior to moving to the East Coast, Karin was the Executive Director of Teen Success, Inc., a California-based non-profit organization supporting the success of teen mothers and their children across the state. Karin has a BA in Psychology from Santa Clara University and a MA in Counseling Psychology from John F. Kennedy University. Karin is the mother of three amazing children and spends most of her non-working hours at soccer games and swim meets, cheering them on!

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 3 Component(s) Recorded On: 03/30/2026

      Join AATA for a trauma-informed exploration of how art therapy and psychosensory practices support nervous system regulation, resilience, and healing. Eligible for 2.0 CE Credit hours. (ATCB eligible)

      Description:

      Many people are carrying the effects of trauma shaped by the COVID-19 pandemic, ongoing social injustice, and today’s complex sociopolitical climate. As healers, educators, and helping professionals, we often carry these experiences alongside those we serve. This session invites participants at all stages of their professional journey to explore how trauma is encoded in the brain and body, and how it influences emotional well-being and resilience.

      Through a supportive and accessible learning environment, participants will discover how art therapy can serve as a bridge to psychosensory practices, including self-havening and tapping. These techniques will be presented in ways that are meaningful for both those building foundational knowledge and those seeking to deepen and expand their existing practice. Participants will learn how to identify and gently depotentiate stored traumatic responses, strengthen emotional regulation, and cultivate sustainable resilience for themselves and their clients.

      Learning Objectives:

      Participants will be able to:

      • 1) Identify four factors that increase vulnerability to traumatic stress responses.
      • 2) Explain the clinical rationale and intended outcomes of “CPR for the amygdala” as a trauma-regulation intervention. 
      • 3) Demonstrate the sequence of the trauma tapping technique to support trauma regulation.

      Additional Information:

      • This session is worth 2 CECs
      • This session is ATCB eligible.

      Marybeth Orton

      MA, ATR-BC, ATCS, ICST, LPAT-S


      Marybeth Orton, MA, ATR-BC, ATCS, ICST, LPAT-S, is a licensed art therapist with over 30 years of experience devoted to helping individuals heal from trauma. Her work is grounded in the belief that the body and brain hold the story of our experiences—and that healing is possible when those stories are met with safety and compassion. She integrates art therapy with brain-based and psychosensory approaches and is certified in EMDR therapy, Havening Techniques, PEAT, Sandtray therapy, and working towards certification in Accelerated Resolution Therapy (ART). She also incorporates Trauma Tapping Technique (TTT) and animal-assisted therapy to support gentle, embodied healing.

      Marybeth is passionate about helping people move from survival to resilience, reconnecting with their inner strength and innate capacity for healing and wholeness.

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 4 Component(s), Includes Credits Recorded On: 03/30/2026

      Join AATA for a trauma-informed exploration of how art therapy and psychosensory practices support nervous system regulation, resilience, and healing. Eligible for 2.0 CE Credit hours. (ATCB eligible)

      Description:

      Many people are carrying the effects of trauma shaped by the COVID-19 pandemic, ongoing social injustice, and today’s complex sociopolitical climate. As healers, educators, and helping professionals, we often carry these experiences alongside those we serve. This session invites participants at all stages of their professional journey to explore how trauma is encoded in the brain and body, and how it influences emotional well-being and resilience.

      Through a supportive and accessible learning environment, participants will discover how art therapy can serve as a bridge to psychosensory practices, including self-havening and tapping. These techniques will be presented in ways that are meaningful for both those building foundational knowledge and those seeking to deepen and expand their existing practice. Participants will learn how to identify and gently depotentiate stored traumatic responses, strengthen emotional regulation, and cultivate sustainable resilience for themselves and their clients.

      Learning Objectives:

      Participants will be able to:

      • 1) Identify four factors that increase vulnerability to traumatic stress responses.
      • 2) Explain the clinical rationale and intended outcomes of “CPR for the amygdala” as a trauma-regulation intervention. 
      • 3) Demonstrate the sequence of the trauma tapping technique to support trauma regulation.

      Additional Information:

      • This session is worth 2 CECs
      • This session is ATCB, NBCC, and LCAT eligible.

      Marybeth Orton

      MA, ATR-BC, ATCS, ICST, LPAT-S


      Marybeth Orton, MA, ATR-BC, ATCS, ICST, LPAT-S, is a licensed art therapist with over 30 years of experience devoted to helping individuals heal from trauma. Her work is grounded in the belief that the body and brain hold the story of our experiences—and that healing is possible when those stories are met with safety and compassion. She integrates art therapy with brain-based and psychosensory approaches and is certified in EMDR therapy, Havening Techniques, PEAT, Sandtray therapy, and working towards certification in Accelerated Resolution Therapy (ART). She also incorporates Trauma Tapping Technique (TTT) and animal-assisted therapy to support gentle, embodied healing.

      Marybeth is passionate about helping people move from survival to resilience, reconnecting with their inner strength and innate capacity for healing and wholeness.

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 3 Component(s), Includes Credits Recorded On: 02/19/2026

      Join AATA for a myth-busting exploration of the Expressive Therapies Continuum, offering clearer guidance for practitioners, educators, and researchers. This version is not CE Eligible.

      Description:

      The Expressive Therapies Continuum is widespread in its popularity, but myths about it have flourished in the absence of a formal training program that would connect practitioners, educators, and researchers to the ideas and intentions of the framework’s co-creators, Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn. This presentation by two of their students will help attendees re-conceptualize the ETC, offering them multiple opportunities to expand beyond limiting and oversimplified beliefs about the model.

      Myth categories that will be explored and dispelled include (1) misunderstandings about the nature and purpose of the ETC framework, (2) confusion about how treatment occurs when using the ETC framework as a guide, and (3) errors concerning the relationship between art materials and the ETC framework. Special attention will be paid to ensuring that attendees develop a uniform understanding of the ETC; consistency strengthens communication and clinical utility within the profession. Attendees will leave the presentation inspired to implement changes to their view of the Expressive Therapies Continuum, aligning it with the framework’s potential as envisioned by the art therapy pioneers who developed it.

      Learning Objectives:

      Participants will be able to:

      • Describe three (3) core aspects of the nature and purpose of the ETC framework. Understanding these core aspects will provide participants with opportunities to refine
      • Identify four (4) characteristics that define how treatment occurs when using the ETC framework as a guide. Understanding these characteristics will provide participants with opportunities to expand their grasp of the framework’s application within the client-therapist relationship.
      • Name three (3) truths about the relationship between art materials and the ETC framework. Understanding these truths will provide participants with opportunities to improve their conceptualization of the framework as a synthesis of multidimensional inputs that influence client output and outcomes.

      Additional Information:

      • This version is not CE Eligible.

      Megan VanMeter

      MA, LPC, LMHC, LPC-AT/S, ATR-BC


      Megan VanMeter is a board-certified art therapist who is licensed through the counseling boards in Arizona, Indiana, and Texas.  She currently operates a virtual private practice, but prior to this she provided clinical art therapy services in behavioral health, correctional, educational, medical, and social services settings, offering workshops for therapists on the side. Megan earned her master’s degree in art therapy at the University of Louisville, where she studied under Expressive Therapies Continuum co-creators Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn.  From these two visionary art therapy pioneers, she learned how to develop responsive, in-the-moment interventions that serve to connect with and support clients as they organically move toward integration. A teacher at heart, Megan has been helping art therapists learn facets of the Expressive Therapies Continuum for over 15 years.  Megan offers an ETC newsletter to keep professionals abreast of learning opportunities, and she maintains an ETC bibliography that features the framework’s co-creators and their educational descendants. 

      This free resource supports exploration of the ETC within the context of a training lineage and is available at https://www.meganvanmeter.com/for-expressive-therapists

      Megan hopes to support other art therapists in understanding the ETC through training methods similar to the ones used by Lusebrink and (Kagin) Graves-Alcorn.  Aside from her passion for helping others learn, she has served the art therapy community through board and committee work via the American Art Therapy Association, AATA affiliate chapters, and the Art Therapy Credentials Board.

      Lisa D. Hinz

      PhD, ATR-BC


      Dr. Lisa D. Hinz is a licensed clinical psychologist and board-certified art therapist with more than two decades of experience advancing the theory and practice of art therapy. She is an associate professor and director of the Art Therapy Psychology Doctoral Program at Dominican University of California in San Rafael. Dr. Hinz began her career in clinical psychology but discovered her passion for art therapy while supervising a master’s student at the University of Louisville Counseling Center. This experience led her to earn a post-graduate certificate in art therapy in 1992, where she trained under Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn, co-creators of the Expressive Therapies Continuum (ETC)—a foundational framework for understanding the therapeutic power of art. A leading voice in the field, Dr. Hinz has authored numerous professional publications and three influential books, including Expressive Therapies Continuum: A Framework for Using Art in Therapy, now in its second edition (2020). Her scholarship reflects a deep interest in materials and methods in art therapy, and she has been teaching and writing about ETC theory for over 23 years. In addition to her academic leadership, Dr. Hinz maintains a private practice in St. Helena, California, specializing in the treatment of eating issues, substance abuse, and lifestyle medicine.

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 4 Component(s), Includes Credits Recorded On: 02/19/2026

      Join AATA for a myth-busting exploration of the Expressive Therapies Continuum, offering clearer guidance for practitioners, educators, and researchers. Eligible for 2.0 CE Credit hours.

      Description:

      The Expressive Therapies Continuum is widespread in its popularity, but myths about it have flourished in the absence of a formal training program that would connect practitioners, educators, and researchers to the ideas and intentions of the framework’s co-creators, Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn. This presentation by two of their students will help attendees re-conceptualize the ETC, offering them multiple opportunities to expand beyond limiting and oversimplified beliefs about the model.

      Myth categories that will be explored and dispelled include (1) misunderstandings about the nature and purpose of the ETC framework, (2) confusion about how treatment occurs when using the ETC framework as a guide, and (3) errors concerning the relationship between art materials and the ETC framework. Special attention will be paid to ensuring that attendees develop a uniform understanding of the ETC; consistency strengthens communication and clinical utility within the profession. Attendees will leave the presentation inspired to implement changes to their view of the Expressive Therapies Continuum, aligning it with the framework’s potential as envisioned by the art therapy pioneers who developed it.

      Learning Objectives:

      Participants will be able to:

      • Describe three (3) core aspects of the nature and purpose of the ETC framework. Understanding these core aspects will provide participants with opportunities to refine
      • Identify four (4) characteristics that define how treatment occurs when using the ETC framework as a guide. Understanding these characteristics will provide participants with opportunities to expand their grasp of the framework’s application within the client-therapist relationship.
      • Name three (3) truths about the relationship between art materials and the ETC framework. Understanding these truths will provide participants with opportunities to improve their conceptualization of the framework as a synthesis of multidimensional inputs that influence client output and outcomes.

      Additional Information:

      • This session is worth 2 CECs
      • This session is ATCB, NBCC, and LCAT eligible.

      Megan VanMeter

      MA, LPC, LMHC, LPC-AT/S, ATR-BC


      Megan VanMeter is a board-certified art therapist who is licensed through the counseling boards in Arizona, Indiana, and Texas.  She currently operates a virtual private practice, but prior to this she provided clinical art therapy services in behavioral health, correctional, educational, medical, and social services settings, offering workshops for therapists on the side. Megan earned her master’s degree in art therapy at the University of Louisville, where she studied under Expressive Therapies Continuum co-creators Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn.  From these two visionary art therapy pioneers, she learned how to develop responsive, in-the-moment interventions that serve to connect with and support clients as they organically move toward integration. A teacher at heart, Megan has been helping art therapists learn facets of the Expressive Therapies Continuum for over 15 years.  Megan offers an ETC newsletter to keep professionals abreast of learning opportunities, and she maintains an ETC bibliography that features the framework’s co-creators and their educational descendants. 

      This free resource supports exploration of the ETC within the context of a training lineage and is available at https://www.meganvanmeter.com/for-expressive-therapists

      Megan hopes to support other art therapists in understanding the ETC through training methods similar to the ones used by Lusebrink and (Kagin) Graves-Alcorn.  Aside from her passion for helping others learn, she has served the art therapy community through board and committee work via the American Art Therapy Association, AATA affiliate chapters, and the Art Therapy Credentials Board.

      Lisa D. Hinz

      PhD, ATR-BC


      Dr. Lisa D. Hinz is a licensed clinical psychologist and board-certified art therapist with more than two decades of experience advancing the theory and practice of art therapy. She is an associate professor and director of the Art Therapy Psychology Doctoral Program at Dominican University of California in San Rafael. Dr. Hinz began her career in clinical psychology but discovered her passion for art therapy while supervising a master’s student at the University of Louisville Counseling Center. This experience led her to earn a post-graduate certificate in art therapy in 1992, where she trained under Drs. Vija Lusebrink and Sandra (Kagin) Graves-Alcorn, co-creators of the Expressive Therapies Continuum (ETC)—a foundational framework for understanding the therapeutic power of art. A leading voice in the field, Dr. Hinz has authored numerous professional publications and three influential books, including Expressive Therapies Continuum: A Framework for Using Art in Therapy, now in its second edition (2020). Her scholarship reflects a deep interest in materials and methods in art therapy, and she has been teaching and writing about ETC theory for over 23 years. In addition to her academic leadership, Dr. Hinz maintains a private practice in St. Helena, California, specializing in the treatment of eating issues, substance abuse, and lifestyle medicine.

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 3 Component(s) Recorded On: 01/13/2026

      Join Elizabeth Hlavek for a moving exploration of Holocaust art, combining historical insight, lived narratives, and a hands-on response art experience. The Student Version is not CE eligible.

      Description:

      Approximately 30,000 works of art have been documented since the liberation of Nazi camps and ghettos in 1945 (Amishai-Maisels, 1993). Made in captivity, these pieces of art exemplify the power of creativity and the strength of spirit, and demonstrate the human capacity for resiliency and creativity in the face of suffering. This body of work highlights the innately human need for meaning and creativity, and can inform contemporary art therapy practice. Understanding Holocaust artists’ drive to create art may help art therapists to better address the fundamental concerns of existence that clients face. After all, in drawing, painting, sculpting, and collaging, Holocaust artists gave a form to unimaginable experiences.

      This session will begin with an exploration of the art of the Holocaust as a phenomenon. The speaker will share images of the artwork and discuss how, but more importantly, why, this art was made. The speaker will share vignettes from her phenomenological interviews with surviving artists and curators of this work. Participants will be invited to make response art using both traditional and found materials.. 

      Learning Objectives:

      Participants will be able to:

      • Articulate 3 motivators for making art in captivity.
      • Define the difference between finding meaning and meaning-making
      • Identify 2  existential needs that were satisfied in clandestine art making

      Additional Information:

      • The Student Version is not CE eligible.

      Elizabeth Hlavek

      DAT, LCPAT, ATR-BC

      Hlavek Art Therapy


      Dr. Elizabeth Hlavek, DAT, LCPAT, ATR-BC is an art therapy clinician, scholar, and advocate. In 2012 Elizabeth spearheaded efforts to develop a clinical art therapy license in Maryland, and subsequently sat on the MD Board of Professional Counselors and Therapists, and later the American Art Therapy Association's Board of Directors.  She continues to hold leadership roles within AATA. Elizabeth's doctoral research examined artwork made by victims in Nazi captivity which she grounded to existential theory. Her book, A Meaning-Based Approach to Art Therapy: From the Holocaust to Contemporary Practices, details her phenomenological study in which she interviewed surviving artists about their experiences creating artwork. She posited that art-making allowed victims to find meaning in their experience, a concept that informs her clinical work. Elizabeth frequently lectures and teaches about her research. She also adjuncts at the International Institute for Existential Humanistic Psychology and St Mary of the Woods college.

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.

    • Contains 4 Component(s), Includes Credits Recorded On: 01/13/2026

      Join Elizabeth Hlavek for a moving exploration of Holocaust art, combining historical insight, lived narratives, and a hands-on response art experience. Eligible for 2.0 CEU hours.

      Description:

      Approximately 30,000 works of art have been documented since the liberation of Nazi camps and ghettos in 1945 (Amishai-Maisels, 1993). Made in captivity, these pieces of art exemplify the power of creativity and the strength of spirit, and demonstrate the human capacity for resiliency and creativity in the face of suffering. This body of work highlights the innately human need for meaning and creativity, and can inform contemporary art therapy practice. Understanding Holocaust artists’ drive to create art may help art therapists to better address the fundamental concerns of existence that clients face. After all, in drawing, painting, sculpting, and collaging, Holocaust artists gave a form to unimaginable experiences.

      This session will begin with an exploration of the art of the Holocaust as a phenomenon. The speaker will share images of the artwork and discuss how, but more importantly, why, this art was made. The speaker will share vignettes from her phenomenological interviews with surviving artists and curators of this work. Participants will be invited to make response art using both traditional and found materials.. 

      Learning Objectives:

      Participants will be able to:

      • Articulate 3 motivators for making art in captivity.
      • Define the difference between finding meaning and meaning-making
      • Identify 2  existential needs that were satisfied in clandestine art making

      Additional Information:

      • This session is worth 2 CEUs
      • This session is ATCB & NBCC Eligible

      Elizabeth Hlavek

      DAT, LCPAT, ATR-BC

      Hlavek Art Therapy


      Dr. Elizabeth Hlavek, DAT, LCPAT, ATR-BC is an art therapy clinician, scholar, and advocate. In 2012 Elizabeth spearheaded efforts to develop a clinical art therapy license in Maryland, and subsequently sat on the MD Board of Professional Counselors and Therapists, and later the American Art Therapy Association's Board of Directors.  She continues to hold leadership roles within AATA. Elizabeth's doctoral research examined artwork made by victims in Nazi captivity which she grounded to existential theory. Her book, A Meaning-Based Approach to Art Therapy: From the Holocaust to Contemporary Practices, details her phenomenological study in which she interviewed surviving artists about their experiences creating artwork. She posited that art-making allowed victims to find meaning in their experience, a concept that informs her clinical work. Elizabeth frequently lectures and teaches about her research. She also adjuncts at the International Institute for Existential Humanistic Psychology and St Mary of the Woods college.

      Statement of Confidentiality:

      Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.