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Contains 3 Component(s) Recorded On: 01/13/2026
Join Elizabeth Hlavek for a moving exploration of Holocaust art, combining historical insight, lived narratives, and a hands-on response art experience. This version is not CE Eligible.
Description:
Approximately 30,000 works of art have been documented since the liberation of Nazi camps and ghettos in 1945 (Amishai-Maisels, 1993). Made in captivity, these pieces of art exemplify the power of creativity and the strength of spirit, and demonstrate the human capacity for resiliency and creativity in the face of suffering. This body of work highlights the innately human need for meaning and creativity, and can inform contemporary art therapy practice. Understanding Holocaust artists’ drive to create art may help art therapists to better address the fundamental concerns of existence that clients face. After all, in drawing, painting, sculpting, and collaging, Holocaust artists gave a form to unimaginable experiences.
This session will begin with an exploration of the art of the Holocaust as a phenomenon. The speaker will share images of the artwork and discuss how, but more importantly, why, this art was made. The speaker will share vignettes from her phenomenological interviews with surviving artists and curators of this work. Participants will be invited to make response art using both traditional and found materials..
Learning Objectives:Participants will be able to:
- Articulate 3 motivators for making art in captivity.
- Define the difference between finding meaning and meaning-making
- Identify 2 existential needs that were satisfied in clandestine art making
Additional Information:
- This version is not CE Eligible.
Statement of Confidentiality:
Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.
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Contains 4 Component(s), Includes Credits Recorded On: 01/13/2026
Join Elizabeth Hlavek for a moving exploration of Holocaust art, combining historical insight, lived narratives, and a hands-on response art experience. Eligible for 2.0 CEU hours.
Description:
Approximately 30,000 works of art have been documented since the liberation of Nazi camps and ghettos in 1945 (Amishai-Maisels, 1993). Made in captivity, these pieces of art exemplify the power of creativity and the strength of spirit, and demonstrate the human capacity for resiliency and creativity in the face of suffering. This body of work highlights the innately human need for meaning and creativity, and can inform contemporary art therapy practice. Understanding Holocaust artists’ drive to create art may help art therapists to better address the fundamental concerns of existence that clients face. After all, in drawing, painting, sculpting, and collaging, Holocaust artists gave a form to unimaginable experiences.
This session will begin with an exploration of the art of the Holocaust as a phenomenon. The speaker will share images of the artwork and discuss how, but more importantly, why, this art was made. The speaker will share vignettes from her phenomenological interviews with surviving artists and curators of this work. Participants will be invited to make response art using both traditional and found materials..
Learning Objectives:Participants will be able to:
- Articulate 3 motivators for making art in captivity.
- Define the difference between finding meaning and meaning-making
- Identify 2 existential needs that were satisfied in clandestine art making
Additional Information:
- This session is worth 2 CEUs
- This session is ATCB & NBCC Eligible
$i++ ?>Elizabeth Hlavek
DAT, LCPAT, ATR-BC
Hlavek Art Therapy
Dr. Elizabeth Hlavek, DAT, LCPAT, ATR-BC is an art therapy clinician, scholar, and advocate. In 2012 Elizabeth spearheaded efforts to develop a clinical art therapy license in Maryland, and subsequently sat on the MD Board of Professional Counselors and Therapists, and later the American Art Therapy Association's Board of Directors. She continues to hold leadership roles within AATA. Elizabeth's doctoral research examined artwork made by victims in Nazi captivity which she grounded to existential theory. Her book, A Meaning-Based Approach to Art Therapy: From the Holocaust to Contemporary Practices, details her phenomenological study in which she interviewed surviving artists about their experiences creating artwork. She posited that art-making allowed victims to find meaning in their experience, a concept that informs her clinical work. Elizabeth frequently lectures and teaches about her research. She also adjuncts at the International Institute for Existential Humanistic Psychology and St Mary of the Woods college.
Statement of Confidentiality:
Due to the sensitive nature of our presenters’ work, please refrain from using any images, content, or statements from the presenter(s) without their explicit permission. Thank you for your cooperation.
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- Non-member - $82
- Member - $52
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Contains 4 Component(s), Includes Credits Recorded On: 11/18/2025
Join Kerry Kruk-Borisov for an Examination of Neurobiological & Physiological Research on Specific Art Materials and Processes Relevant to Art Therapy. Eligible for 2.0 CEU hours.
Description:
This session will focus on findings from a collection of neurobiological and physiological research on distinct art materials and how those findings illuminate theoretical perspectives important to the practice of art therapy. A compendium of empirical research findings is presented along with the theoretical underpinnings that guide such neurobiological and physiological research. This work highlights the summaries and inspiration from the Conclusion chapter in the 2nd Edition of Art Therapy and the Neuroscience of Trauma.
Learning Objectives:Participants will be able to:
- Understand at least 3 unique distinctions between different art materials and processes and connect this information to the Expressive Therapies Continuum theory (ETC).
- Differentiate between theoretical understanding and building knowledge through empirical research findings.
- Apply findings from research based on scientific inquiry to enhance further research and research-to-practice initiatives (e.g., development of evidence-based rationale for the use of distinct art materials) in art therapy approaches.
Additional Information:
- This session is worth 2 CEUs
- This session is ATCB & NBCC Eligible
$i++ ?>Kerry Kruk-Borisov
ATR-BC, LPC, MS
With 20 years of experience working with families, adolescents, adults, and children, Kerry intends to provide a well-rounded and holistic therapy experience for her clients. She has prior experience in intensive in-home family-centered treatment, group work in substance abuse and sexual abuse trauma therapy, and inpatient crisis stabilization and detoxification treatment for adults. In her experience providing art therapy to children, adolescents, adults, and families, she has witnessed the power and effectiveness of strengths-based, solution-focused, and experiential art therapy to foster awareness, recovery, growth, and healing.
Kerry has worked with a wide range of individuals experiencing a range of life conflicts to include substance abuse and recovery, depression, anxiety disorders, self-esteem, life phase conflict, peer and family conflict, sexual abuse, and PTSD. She is passionate about learning about the brain and how psychotherapeutic approaches, particularly art therapy and EMDR, can effectively change perception and neurological function. Kerry describes her treatment approach as a coordinated synergy of person-centered art therapy, humor, positive psychology, narrative therapy, motivational enhancement, and family systems in order to address immediate concerns and to promote growth and progress. She believes in fostering a creative, therapeutic space in which self-discovery and growth are possible.
She is an avid presenter and public speaker and has presented her research as well as other topics on the practice of art therapy locally, nationally, and internationally. She also has experience as a Human Rights Coordinator, providing advocacy for individuals receiving community behavioral and developmental services. Kerry is also an Adjunct Faculty member in the Graduate Counseling & Art Therapy program at Macon & Joan Brock Virginia Health Sciences University at Old Dominion University (formerly known as Eastern Virginia Medical School).-
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- Non-member - $82
- Member - $52
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Contains 1 Component(s) Recorded On: 11/07/2025
Join AATA's Undergraduate Committee for a discussion about the Committee's newly created guidelines and next steps.
Join us for a focused discussion on the newly AATA-approved undergraduate guidelines. This meeting will provide insight into their development, purpose, and applications to undergraduate pre-art therapy education.
To learn more and download a copy of the Guidelines, please visit: https://arttherapy.org/blog-aa...
Learning ObjectivesParticipants will be able to:
1) Identify the purpose of the guidelines
2) Learn about the main content areas
3) Identify student learning outcomes relevant to undergraduate pre-art therapy education
This is NOT a CE-eligible session.$i++ ?>Heather Denning
LPAT, LSW, ATR-BC, ATCS
Heather Denning is a licensed professional art therapist in Ohio and a board-certified art therapist. She is the director of the undergraduate art therapy program and Chair of the Art, Design, and Communication department at Mercyhurst University in Erie, Pennsylvania. Heather is an adjunct faculty member at Ursuline College and Southwestern College. She serves as a member of the AATA Undergraduate Education Subcommittee and Secretary of the Buckeye Art Therapy Association. Heather’s passions in art therapy are group work, service-learning, and art therapy education.$i++ ?>Jennifer Schwartz
MAAT, LPAT, ATR-BC, ATCS
Jen Schwartz is a licenced professional art therapist in Ohio and board certified art therapy supervisor. She is the Program Director of Art Therapy and Service Learning Coordinator at Ursuline College in Cleveland, OH. She was recently elevated to Honorary Lifetime Member status within the Buckeye Art Therapy Association (BATA), where she currently serves as External Relations Chair. She is past Chair of AATA’s Undergraduate Education Subcommittee, and served on AATA’s first Undergraduate Education Task Force.-
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Contains 20 Product(s)
AATA2025 Virtual Conference, which took place on Oct. 25 – 26! This event offers attendees all-new, never-before-seen sessions.
AATA2025 Virtual Conference
AATA held our AATA2025 Virtual Art Therapy Conference on Oct. 25 - 26, 2025. This year’s theme, Ascending To New Heights, celebrated the growth of the art therapy profession and the significant achievements of art therapists.
This Virtual Conference offered attendees all-new content during 20 live sessions, which were recorded. These recordings are now available to purchase as a package or as individual sessions. To learn more about the sessions, go to the “content" tab above, or visit this webpage.
If you registered for the AATA2025 Virtual Conference, these recordings are available to you at no cost.
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- Non-member - $350
- Member - $270
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Contains 4 Component(s), Includes Credits Recorded On: 10/26/2025
AATA2025 Virtual Conference - Sunday, October 26th (Day 2)
Description:
A brief overview of IFS illustrated by case material will demonstrate how the
IFS-trained art therapist presenter integrates art into the IFS process for
trauma treatment, anchored by Jungian Active Imagination. Participants untrained
in IFS may better utilize Active Imagination into art-making. IFS-trained
participants will gain creative tools.Learning Objectives:
- Participants will be able to define 3 or more basic principles of the Internal Family Systems (IFS) model of
treatment.
- Participants will be able to clarify 3 or more ways that IFS and Active Imagination overlap to enhance the
art therapy process.
- Participants will be able to describe 4 art directives that integrate with the IFS model of the 6 F’s.Session is worth 1 CE Credit
$i++ ?>Heather McLaughlin
MA, ATR-BC, RMFT-S
Heather McLaughlin, MA, ATR-BC, RMFT-S, is an art therapist with over 20 years’ experience specializing in relational and trauma work. She is also a registered couple and family therapist, licensed psychotherapist, and clinical supervisor. An assistant professor and program coordinator for Concordia University’s Art Therapy program, she is the founder and Director of the Concordia Arts in Health Centre which is a service-first, campus-based creative arts therapies clinic offering free, equitable, and accessible therapy. Her work focuses on creative and systemic approaches to community care and climate action, with an emphasis on supporting and connecting community initiatives, mobilizing resources, and engaging in research that strengthens these efforts.-
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- Non-member - $45
- Member - $25
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Contains 4 Component(s), Includes Credits Recorded On: 10/26/2025
AATA2025 Virtual Conference - Sunday, October 26th (Day 2)
Description:
This presentation proposes a framework for creative arts therapists (CATs) to
engage in intentional climate action. The framework supports reflection and
adaptation within diverse modalities and theoretical approaches, helping CATs
align their practice with climate sustainability through client work,
educational roles, and contributions to professional and community contexts.Learning Objectives:
- Participants will be able to identify at least three ways creative arts therapies can contribute to climate
action and sustainability
- Participants will be able to analyze a climate action framework by listing at least two ways it can be
adapted to the practitioners' theoretical approach and areas of practice
- Participants will be able to develop an action plan with at least two strategies to align professional
practices with climate sustainability values in client work, education, or
community engagement.Session is worth 1 CE Credit
$i++ ?>Peggy Kolodny
Licensed Art Therapist
Peggy Kolodny, MA, ATR-BC, LCPAT, earned her master’s in art therapy from GWU in 1982. Specializing in trauma-focused multimodal art therapy across the lifespan, she is trained in IFS and in EMDR. She is adjunct faculty for GWU and FSU Art Therapy Graduate Programs trauma tracks and is workshop faculty for the Ferentz Institute and Chesapeake Beach Professional Seminars. Currently Peggy is Co-Chair for the EMDR Special Interest Group for the International Society on the Study of Trauma and Dissociation (ISSTD) and recent past Chair of the Creative Art Therapists Special Interest Group. Past positions include Vice-chair of the Maryland Chapter of American Professional Society on Abuse of Children; Chairperson of Central Maryland Sexual Abuse Treatment Task Force; and President of Maryland Art Therapy Association. Past faculties include University of Maryland School of Social Work, Maryland Institute College of Art, and Goucher College.
Peggy recently published several chapters on neurosequential art therapy in Art Therapy in the Treatment of Addictions and Trauma (Quinn, 2021), co-authored (Mazero) a chapter on “The Interweave of IFS, EMDR and Art Therapy” in EMDR and The Creative Arts Therapies (Davis et al, 2023). She has 3 more chapters in press for 2025-2026 including “Active Imagination: Jungian Underpinnings of IFS, EMDR and Art Therapy” in IFS-informed EMDR (Polidi, Dec. 2025); Dissociation & DID in Art Therapy” in Wiley Handbook of Art Therapy (Gussak & Rosal, 2025); and “Create, Destroy, Transform” in From Mourning to Meaning: The Expressive Arts in Grief Therapy (Thompson & Neimeyer, in press).-
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- Non-member - $45
- Member - $25
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Contains 4 Component(s), Includes Credits Recorded On: 10/26/2025
AATA2025 Virtual Conference - Sunday, October 26th (Day 2)
Description:
Art exhibit and poetry reading; Hear the cries of hidden, voiceless parts
of a highly functional trauma survivor, sharing her story to help herself and
others feel seen. Witness works integrating the conscious and unconscious
through, art, poetry and somatization, a clients life's work of collecting
shattered parts.Learning Objectives:
- Participants will be able to identify 2 methods in which art exhibits can be ceated for a vulnerable client.
- Participants will be able to identify 3 ways in which an art therapist can assist the client in expressing trauma that has been hidden in a safe supportive manner.
- Participants will understand 2-6 ethical dilemas in understanding what is best for the client and self-serving for the therapist.Session is worth 1.5 CE Credit
$i++ ?>Lilla Ohrstrom
MA, ATR-BC
Lilla Ohrstrom, MA, ATR-BC has had her research and artwork have been published in the Wiley Blackwell Handbook of Art Therapy, Oxford Handbook of Qualitative Research, International Journal of Education through Art, International Journal of Education and the Arts, Visual Inquiry: Learning and Teaching Art; Art Education, Liminalities: A Performance Studies Journal and Music Therapy Perspectives. She is also a major contributor in the volume, Art for Children Experiencing Psychological Trauma: A Guide for Art Educators and School-Based Professionals. She has published two books Therapeutic Approaches in Art Education (2020) and Restorative Practices in Education through the Arts (2025).$i++ ?>Kathleen Marmet
MA
Kathy Marmet is trained as a lawyer and an educator but has been impaired in her ability to find vocational fulfillment until her recent blossoming as a poet and artist. Healing has been a lifetime quest and a full time occupation for more than eleven years now. In the most recent five years, she has received effective help from a team of highly qualified professionals using neurofeedback, Somatic Experiencing, bodywork, art therapy and psychedelic assisted therapy. She has participated in at least seven psychodrama workshops and has consistently found them helpful. Marmet was born to parents who were ill-equipped to meet the needs of children. The first of her mother’s eleven full term pregnancies, her being has been marked by the effects of chronic childhood traumatization. Wounds of maternal depression during her infancy are the deepest. Self-help has been Kathy’s life-long practice. Self-expression through poetry, art and song began early.
At this point, Marmet has survived for the average U.S. span of life. Ten years ago she had the good fortune to connect with the growing body of innovative scientific and clinical work which increasingly illuminates possible paths to healing. This led to her receiving help from professionals skilled in several modalities which have proven effective in helping her nervous system learn to be more fully embodied and alive. Marmet’s art and writings give voice to her struggle to become her self. She published her poetry collection, Freeing the Voice of a Less Than Fully-Mothered Child: Poetic Artifacts of a Healing Journey in 20205.-
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- Non-member - $60
- Member - $35
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Contains 4 Component(s), Includes Credits Recorded On: 10/26/2025
AATA2025 Virtual Conference - Sunday, October 26th (Day 2)
Description:
This presentation delves into the shadow side of psychedelic-assisted therapy, examining the risks, ethical complexities, and increasing commercialization of this emerging field. It features exclusive interviews with Brigitte Grof—author of Holotropic Art and beloved partner of psychedelic therapy pioneer Stanislav Grof—as well as long-time American Art Therapy Association member Roberta Shoemaker-Beal. This exploration illuminates the vital role of art therapy in integrating psychedelic experiences, fostering deep emotional processing, and supporting trauma-informed care with a harm reduction lense. Participants will gain practical strategies to enhance client safety, uphold ethical practice, and honor Indigenous knowledge in psychedelic healing spaces.Learning Objectives:
- Participants will understand and identify the 5 key factors that contribute to
ethical dilemmas.
- Participants will learn 5 reasons why abuses of power have become prevalent in this
arena and 5 ways to avoid these.
- Participants will learn 3 safeguards therapists need to take within the three
stages of psychedelic assisted therapy: preparation, journeying and integration.Session is worth 1.5 CE Credit
$i++ ?>Charmaine Husum
RCAT, DKATI, RTC, CT
Charmaine Husum RCAT, DKATI, RTC, CT is a Professional Artist, Registered Canadian Art Therapist, Registered Therapeutic Counsellor, and Kundalini Yoga & Meditation teacher. Within her private Somatic Art Therapy Practice, Centre of the HeArt she supports clients both in person and online to move through difficult experiences from trauma, depression, anxiety, suicidality, addiction, and other mental health symptoms towards a path of transcendence and healing.
Helping people find a personalized route to healing using trauma-informed art therapy, clinical psychotherapeutic approaches, transpersonal psychology, mindfulness, yoga, and somatic counseling is the foundation of her work. Believing that true and lasting healing lives within every individual; the work she does focuses on one’s inner strength, power, and innate capacity to thrive beyond difficult experiences in life.
For the past 10 years, she has also been working to help others prepare for and Integrate the powerful experiences that take place during Altered States of Consciousness and Psychedelic Journeys. To support this, she teaches courses and workshops both online and in person around the world using Art Therapy, Dreamwork, Somatic Processes, Kundalini Meditation, and Yoga that follow the trauma-informed protocols outlined by Bessel van der Kolk and Judith Herman. They can be found at www.courses.centreoftheheart.com.-
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- Non-member - $60
- Member - $35
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Contains 4 Component(s), Includes Credits Recorded On: 10/26/2025
AATA2025 Virtual Conference - Sunday, October 26th (Day 2)
Description:
Creative arts therapists often navigate multiple identities as artists,
therapists, educators, and activists. This panel presents the story of the
Beneath the Surface art exhibition, advocating for the profession, educating the
public about creative arts therapy, and explores the role of art in the
therapists' personal and professional identities.Learning Objectives:
- Participants will be able to identify at least one method for leveraging their
art to promote advocacy efforts.
- Participants will be able to consider the arguments for and against
self-disclosure when art therapists exhibit their artwork.
- Participants will be able to explain Phinney and Devich-Navarro's (1997) four
categories of cultural identity as they relate to client/therapist identity.Session is worth 1.5 CE Credit
$i++ ?>Bethany Altschwager
DAT, ATR-BC, ATCS, LCAT, LPAT
Dr. Bethany Altschwager is an art therapist, art therapy educator, and art therapy supervisor. She has twelve years of clinical experience in community-based and healthcare settings with people from diverse backgrounds and across the lifespan. She serves as the President Elect and Continuing Education Chair of the New York Art Therapy Association and as an adjunct faculty member at New York University, the School of Visual Arts, and West Liberty University. Her primary areas of interest are trauma, digital media, and fiber arts.$i++ ?>Melissa Lee Alvey
MA, ATR-BC, LCAT
Melissa is mixed race, Chinese American, multidisciplinary artist and licensed and board certified art therapist. She is currently on staff with the Mental Health Services team at Apex for Youth, a non-profit organization serving Asian American youth from low-income and immigrant backgrounds in NYC. Before joining Apex, Melissa worked providing therapeutic support to survivors of torture and asylum seekers, as well as with children and families in various clinical and educational settings. She practices a strengths-based, client-centered, and trauma-informed approach to healing, and as a multi-racial therapist, Melissa values the intersections of identity, culture, and community. She received a B.A. in Design from the University of California at Davis and an M.A. in Art Therapy from New York University. As an artist and art therapist, Melissa values the creative process as a means to discovering narratives of resilience.$i++ ?>Harapan Hope Limansah
MPS, ATR-BC, LCAT
Harapan Hope Limansah is a Queens-based art therapist and interdisciplinary artist. She received her B.A. in Studio Art from Florida State University and her M.P.S. in Art Therapy from Pratt Institute. She currently works as an art therapist in acute inpatient psychiatry and has past experience working with: families and elementary-aged children in school/ community-based settings, older adult populations & folks with dementia, and individuals with SPMI in supportive housing and shelter settings. Her work as an artist spans a variety of mediums, though she is particularly moved by writing, performance, and all things sculpture. Familiar themes within her artwork include: intersecting identities & the biracial experience, intergenerational trauma & inherited versus chosen paths, living with mental illness, past lives, the unconscious, animism, and perceptions of god.$i++ ?>Mayra Iris Guevara
MPS, ATR-BC, LCAT
Mayra Iris Guevara, MPS, ATR-BC, LCAT, is a bilingual licensed Creative Arts Therapist with over 16 years of experience. Mayra has expertise in clinical supervision, program administration, psychotherapy, client treatment, and state/local child welfare systems. She works extensively with various multicultural groups such as LGBTQIA+, refugees, unhoused, undocumented populations of all ages. Mayra is currently enrolled in KINT Institute for the Certificate Training Program in Creative Arts for Trauma. In her creative practice, Mayra creates fiber arts sculptures, mixed media collage, and painting. She currently splits her time between practicing in Texas and her private practice in New York.-
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